A minimalist type specimen based on All Round Gothic. By simplifying the layout system and reducing visual noise, the project aims to enhance the reading experience. Through careful control of grid, spacing, and typographic scale, the rounded geometry, soft terminals, and overall proportions of the typeface are brought forward. Subtle variations in weight, alignment, and repetition reveal how the type behaves across different compositions. Graphic intervention is kept to a minimum, allowing the type itself to define the visual language. While maintaining an overall consistency, selected deviations from the system introduce flexibility, expanding its possibilities across different contexts.